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This Visually-Impaired Performing Artist Is Transforming The Local Arts Scene

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Great Women

This Visually-Impaired Performing Artist Is Transforming The Local Arts Scene

Claire Teo shares more about what working in performing arts in Singapore is like, and the need for more inclusion in the show industry

November 26, 2022

Claire Teo

Claire Teo has been “singing ever since [she] could remember”. “I’d admit, not very well,” she laughs. “But I knew it was something I loved, and I kept practising to enter my school’s choir.” When she watched a performance of The Phantom of the Opera at 15, it was a decisive career moment for her – she knew she wanted to be a professional performer. “I wanted to be the next Christine Daaé (the main female character from the musical and novel), and I haven’t looked back since.”

Indeed she hasn’t. Today, the 22-year-old thespian wears multiple hats in the theatre world. She has served as a performer, scriptwriter and director for various projects, and has held roles such as an educator, programmes’ executive, and access consultant.

Her young age doesn’t hold her back, and neither does her disability. Diagnosed at the age of four, Claire has retinitis pigmentosa. A group of rare eye diseases that affect the retina, the genetic condition results in symptoms such as night blindness, tunnel vision, photophobia and colour vision deficiency.

Claire Teo, performing artist at Art:Dis

Her visual impairment has not deterred the determined theatre actress from performing. Claire was the first visually impaired person to have graduated from a professional theatre course in Singapore, under the Lasalle College of the Arts’ diploma in performance programme. She is now a performing artist at Art:Dis, a non-profit organisation dedicated to creating learning and livelihood opportunities for persons with disabilities in the arts.

Her most recent performance was at the launch of Shaping Hearts 2022, Singapore’s largest inclusive arts event organised by the North East Community Development Council (NECDC).

“Platforms like Shaping Hearts builds awareness and creates visibility for the wider community. Having the event publicised and located in the heartlands is a strong statement that persons with disabilities are everyday characters, which slowly but surely normalises us in the minds of people. It also provides an opportunity for us to speak our truths and dreams openly, take pride in our expertise and be recognised for it.”

A singing and piano performance by Claire and pianist Dr Azariah Tan at the launch of Shaping Hearts 2022

“My dreams have evolved over the years. And beyond entertainment, I’ve learnt that art is a medium for connection and an agent for social change,” she asserts.

Here, Claire shares with us the reasons that propelled her to raise awareness for artists with disabilities, the stigmas surrounding the visually impaired community, especially in the show industry, as well as how she deals with burnout and overcoming the challenges in her career.

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https://www.womensweekly.com.sg/gallery/great-women/visually-impaired-performing-artist-transform-arts-scene/
This Visually-Impaired Performing Artist Is Transforming The Local Arts Scene
You’ve spearheaded several projects and initiatives, and have continuously raised awareness for artists with disabilities – what made you decide to open up about your journey?
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I have always preferred to stay in the shadows. I am not a [natural] leader, but rather, a chosen and trained one by my mentor, Peter Sau, artist-educator and theatre veteran (pictured above), and out of obligation and duty to my community. If telling more people my journey can provide more visibility for the arts and disability scene in Singapore to grow in more meaningful and constructive ways, gather our allies and reach out to emerging disabled artists and leaders to speak openly about their dreams, I have to take action.

Claire Teo
How are you advocating for more awareness?
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I started acting to give myself a voice. Now I act, teach and counsel because I hope to work with different communities: marginalised, disabled and vulnerable, to facilitate them in finding a strong voice for themselves and bring these voices together. We can create more ripples of change.

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A post shared by ART:DIS (@art.dis.singapore)

What are some of the stigmas surrounding the visually impaired community, especially in the show industry?
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Disabled persons are often labelled as overcomers, inspirational, heroes, strong and even role models to all. On the opposite side of the spectrum, many are seen as weak, vulnerable, victims, broken and in need of fixing. In reflection of these stigmas, our portrayal on media and stage is often risking a feel-good spectacle, not comparable to mainstream standards of artistry and professionalism.

Shaping Hearts
What are some examples of the microaggressions and ostracism you’ve been on the receiving end of?
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Most entities – especially enterprises that need to meet the bottom line financially – are focused on how to pay the artists the least possible for the best possible result or sometimes, not at all.

As a young disabled artist who would have done anything to stay in the industry and be recognised for my artistry, I have been told to be grateful for the opportunity and exposure, to provide expertise for the good of my community or to inspire up and coming artists. This is crossing the line to manipulation and bullying.

I will volunteer willingly for the people I choose and the work I believe in. But it is my right to decide where I allocate my time, energy and expertise. We pay for services and should pay a higher price for higher standards of service. Yes, arts is a service and professionalism is not charity.

Claire Teo
What are some of the biggest challenges you’ve faced thus far in your career, and how did you overcome them?
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Having to live up to being a “role-model”, “change-maker” and “strong overcomer” is stressful. I find myself over-compensating, chasing perfection and excellence in all things and having little to no breathing space. Twice in these four months, I experienced burn outs for taking on too many projects and the multiple roles I play in each of them. I also juggle being a daughter, sister, friend and mentee.

I am still working on my need for validation. My self-worth is very much tied to my work. I have to remember that loving myself is an essential part of caring for others. Mistakes are also a part of life. My mentor constantly tells me to fail – a worthy failure is better than a mediocre success. And I find the more I let go of this reservation I have on stage; I experience freedom like never before.

Claire Teo
What are some current projects you’re involved in now?
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Coming up on 17 and 18 November is my solo presentation titled “Woman Flower” – a production presented by ART:DIS Singapore as part of Beyond Dis:play, an industry mentorship programme for persons with disabilities. A tapestry of monologues and songs by brave, resilient women of history till modern day, the showcase discusses themes such as women’s role in society and evolving views of empowerment throughout time. Creative captioning and audio description is available.

Also notably, I was tasked to return to LASALLE College of the Arts to direct a production under the Engaging Communities module for the Diploma in Performance level 3. From 24 – 26 November, the work-in-progress showings are the students’ first attempt to create a fully accessible production. Including audio description and creative captioning as part of the aesthetic of the show and enabling inclusive appreciation.

The 7-week process also discovered the transparency, flexibility and fluidity needed to work in an inclusive setting. The short play combines two plays by Haresh Sharma: Don’t Know, Don’t Care and Don’t Forget to Remember Me, together with scenes written by the students after their research trip to a hospice. As we witnessed the lived experiences of friends, family and caregivers of those living their last days, we learnt to care and connect deeper human to human.

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A post shared by ART:DIS (@art.dis.singapore)

Looking forward, what are some of your hopes and dreams that you’ve yet to achieve but hope to check them off soon?
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I hope to see more of this world, visit museums, theatres, cathedrals, learn from masters, attend theatre, film, music workshops to further broaden my worldview, skillset and enrich my artworks for more in-depth exploration and creations in the future. If these trips so happen to be ones where I am on performance tours, that would be my dream come true.

Shaping Hearts 2022 is happening from now until 27 November. Click here for more information.

Text: Cheryl Lai-Lim/HerWorld

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A post shared by ART:DIS (@art.dis.singapore)

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  • theatre
  • visually impaired
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